娜拉出走之后，看似美好的留白，也有哀伤。易卜生在全挪威的女人盛赞他的女权主义时，他说：“我写娜拉不是这意思，我写的不过是诗。”让我们一起来看看关于女权话题作文高三，希望对您有所帮助，欢迎大家查阅学习！下面是的小编为您带来的女权话题作文高三【优秀6篇】，希望大家可以喜欢并分享出去。
Feminism is a discourse that involves various movements, theories, and philosophies which are concerned with the issue of gender difference, advocate equality for women, and campaign for womens rights and interests. According to some, the history of feminism can be divided into three waves. The first wave was in the nineteenth and early twentieth centuries, the second was in the 1960s and 1970s and the third extends from the 1990s to the present. Feminist theory emerged from these feminist movements.It is manifest in a variety of disciplines such as feminist geography, feminist history and feminist literary criticism.
Feminism has altered predominant perspectives in a wide range of areas within Western society, ranging from culture to law. Feminist activists have campaigned for womens legal rights (rights of contract, property rights, voting rights)； for womens right to bodily integrity and auto）●（nomy, for abortion rights, and for reproductive rights (including access to contraception and quality prenatal care)； for protection from domestic violence, sexual harassment and rape;for workplace rights, including maternity leave and equal pay; and against other forms of discrimination.
During much of its history, most feminist movements and theories had leaders who were predominantly middle-class white women from Western Europe and North America. However, at least since Sojourner Truths 1851 speech to American feminists, women of other races have proposed alternative feminisms. This trend accelerated in the 1960s with the Civil Rights movement in the United States and the collapse of European colonialism in Africa, the Caribbean, parts of Latin America and Southeast Asia. Since that time, women in former European colonies and the Third World have proposed "Post-colonial" and "Third World" feminisms. Some Postcolonial feminists, such as Chandra Talpade Mohanty, are critical of Western feminism for being ethnocentric. Black feminists, such as Angela Davis and Alice Walker, share this view.
Since the 1980s Standpoint feminists argued that feminism should examine how womens experience of inequality relates to that of racism, homophobia, classism and colonization.In the late 1980s and 1990s postmodern feminists argued that gender roles are socially constructed,and that it is impossible to generalize womens experiences across cultures and histories.
“来人，把他关下去！”我连忙跪下，腿在微微颤抖，眼睛充满黑色的恐惧：“皇…上，皇上，这幅画可有特殊含义啊！”我把头深深捶在地上，那无辜的泪花浸湿衣裳。
“画师啊，您知道吗？皇上长得很秀气，一看就是书香子弟，等会儿还有两个画师也要来与你比拼。”太监使了个眼色与我，那犀利又恐惧的眼神被我接住了，我点点头，似懂非懂那个含义。
画师已经全部聚集。“皇上驾到！”随着一声呐喊，一件龙袍出于眼前。我那个黄色的影子径直走来，摇摇晃晃。我的眼神聚焦于那个脸，心中的那条山谷突然裂开，涌进了涓涓细流:秀气？书香？怎么不见了？不……不！这怎么回事！为什么是一个五官不正，皮肤黝黑，贼眉鼠眼的农民！我该怎么办，是真实还是虚假，是道德还是官职！皇上坐了下来:“开画！”我的心一抖，斜着眼瞟了左右两人一眼，他们已经动笔了，春拂面色。半个时辰过去了，我拿着毛笔，一动不动地站在那。瞬间，师傅的话拂现与我耳：“徒弟啊！我们画家要讲究真实，讲究画德和意境，不能因为了画画而去画，要因为了含义而去画！”希望闪闪发光，我的眼前似乎被火花点亮，我昂头挺胸，点点头：师傅，我懂了”画笔在纸上舞蹈……
画一幅幅展现在朱元璋面前，前两幅映入眼帘，上面的皇上端庄大气，眉清目秀，他点点头。我心中感到一震不安，为了道德，我愿意真实而又虚假！果然如此，这幅五官不正，陋无比的画激怒了他……
“什么特殊含义，道来听听！”我依旧跪在地上，把我画前所想构出的寓意一一道来：“皇上，在这幅画中，您虽然五官不正，但是，您的鼻子，您的下巴都是住天上翘的啊！据史书记载，这五官是有天子之命的呀！”皇上双手背靠，我慢慢抬头，皇上眉头一皱，看着那幅“天子之画”，眼中的那团烈火渐渐熄灭，充满渴望及崇尚……
我踏着沉重的步伐，摇摇摆摆，汗浸湿衣裳……
In ancient times, women were usually considered weak and incapable. No matter in which country, the whole society was controlled by men, which was not changed until the last hundred years. From the beginning of the 20th century, numerous campaigns were launched aimed at winning over the equal rights for women. Since then, women’s status has improved a lot.
In the modern world, the fact that women are playing a more and more important role in society has been accepted by most of the people. Now women tend to go out of kitchen and contribute their strength to their career. Actually, they do really very well or even better than men in arts, services, management and many other industries. Giving attention to both family and career, women in the modern world are under much more pressure than before. However, most of them consider it worthwhile.
也许，对于诗人来说，女性的神秘是不必也不容揭破的，神秘一旦解除，诗意就荡然无存了 。但是，觉醒的理性不但向人类、而且向女性也发出了"认识你自己"的召唤，一门以女性 自我认识为宗旨的综合学科--女性学--正在兴起并迅速发展。面对这一事实，诗人们倒 毋须伤感，因为这门新兴学科将充分研究他们作品中所创造的女性形象，他们对女性的描绘 也许还从未受到女性自身如此认真的关注呢。
一般来说，认识自己是件难事。难就难在这里不仅有科学与迷信、真理与谬误、良知与偏见 的斗争，而且有不同价值取向的冲突。"人是什么"的问题势必与"人应该是什么"、"人 能够是什么"的问题紧相纠缠。同样，"女人是什么"的问题总是与"女人应该是什么"、 "女人能够是什么"的问题难分难解。正是问题的这一价值内涵使得任何自我认识同时也成 了一个永无止境的自我评价、自我设计、自我创造的过程。
在人类之外毕竟不存在一个把人当作认识对象的非人族类，所谓神意也只是人类自我认识的 折射。女性的情形就不同了，有一个相异的性类对她进行着认识和评价，因此她的自我认识 难以摆脱男性观点的纠缠和影响。人们常常争论：究竟男人更理解女人，还是女人自己更理 解女人？也许我们可以说女人"当局者迷"，但是男人并不据有"旁观者清"的优势，因为 他在认识女人时恰恰不是旁观者，而也是一个当局者，不可能不受欲念和情感的左右。两性之间事实上不断发生误解，但这种误解又是同各性对自身的误解互为前提的。另一方面，我 们即使彻底排除了男权主义的偏见，却终归不可能把男性观点对女性的影响也彻底排除掉。 无论到什么时候，女人离开男人就不成其为女人，就像男人离开女人就不成其为男人一样。 男人和女人是互相造就的，肉体上如此，精神上也如此。两性存在虽然同属人的存在，但各 自性别意识的形成却始终有赖于对立性别的存在及其对己的作用。这种情形既加重了、也减 轻了女性自我认识的困难。在各个时代的男性中，始终有一些人超越了社会的政治经济偏见 而成为女性的知音，他们的意见是值得女性学家重视的。
对于女人，有两种常见的偏见。男权主义者在"女人"身上只见"女"，不见"人"，把女 人只看作性的载体，而不看作独立的人格。某些偏激的女权主义者在"女人"身上只见"人 "，不见"女"，只强调女人作为人的存在，抹杀其性别存在和性别价值。后者实际上是男 权主义的变种，是男权统治下女性自卑的极端形式。真实的女人当然既是"人"，又是"女 "，是人的存在与性别存在的统一。正像一个健全的男子在女人身上寻求的既是同类，又是 异性一样，在一个健全的女人看来，倘若男人只把她看作无性别的抽象的人，所受侮辱的程 度决不亚于只把她看作泄欲和生育的工具。
值得注意的是，随着西方文明日益暴露其弊病，愈来愈多的有识之士从女性身上发现了一种 疗救弊病的力量。对于这种力量，艺术家早有觉悟，所以歌德诗曰："永恒之女性，领导我 们走。"与以往不同的是，现在哲学家们也纷纷觉悟了。马尔库塞指出，由于妇女和资本主 义异化劳动世界相分离，这就使得她们有可能不被行为原则弄得过于残忍，有可能更多地保 持自己的感性，也就是说，比男人更人性化。
Women are not equal with men
After women have made great strides for their rights,leaders gradually realized the necessity to achieve the equality of men and women and as well increasingly countries has put the principle of equality into practice.women are no longer being oppressed at the the bottom of society and even have equal opportunity to rise to leadership positions.however,gender discrimination still exist in insidious form today.
Women and men may not dealt with in many field especially in the job market with female graduates affected the most.The figure indicates that more than 90 percent of female students experience gender discrimination in the force labour,while more than 40 percent of believe it is harder for women to get an offer than men. “men only”signs appeared frequently on recruit company,women are are refused by their image of delicate and lack of independent as people considered.So that women always lose many chances in choosing favorable job. Additionally ， for same work,women receive lower payment at their job than men. Another statistic shows that women represent 50 percent of middle management and professional positions but the percentages of women at the top of organizations represent not even a third of that number which can not but arouse our thinking why do we have so few women leaderThat’s recessive gender discrimination.In the absence of gender discrimination stress patriarchal society,in order to realize their own value,women must pay double or even several times effort than men.
Finally,the ideas that son preference and discrimination against girls took strong root since ancient time,every family continues to have children until they have a boy,if they have a girl,they would like to have another child.Killed,aborted or neglected,at least 100 million girls have disappeared and the number is rising. As we can see from above analysis,women still encounter discrimination or unfair treatment in many achieve the “equality of men and women”We still have a long way to go.
200年的书评一直都是盖棺定论:开头，就注定了真实的于连与这社会的格格不入，开头就是悲剧，结尾只是惯性
我觉得不然--------
久闻<红与黑>的盛名，今天得以白读（借的）。原先一直因为结尾的悲剧性，而把读它的想法束之高阁，读完我却是舒了口气，
出生贫寒使他仇视富人，博学多才又叫他鄙视穷人
厌恶自己的出身，又仇恨追求的地方。可是，结局却是峰回路转，于连死了，他不是被社会抹杀的，他是被司汤达扼杀的，我认为（有脑子的人都应该有主见，对错放两旁）司汤达在最后是对让他处处碰壁的社会做了一次妥协，应该说是忏悔，而后人却一直这悲剧的结局当做对后人的警钟，对，让有雄心的穷人们放弃奋斗，放弃所谓是不择手段的奋斗，这就是全世界所有得势阶级所要看到的结果。没有人比他们更清楚------------他们自己，或者他们的祖上， 就是不择手段起家的。
比起<红与黑>，我更欣赏巴尔扎克的<高老头>和莫泊桑的<漂亮朋友>，比起红与黑里的于连，拉斯蒂惺和杜洛华，才是于连真正人生该有的结局，当然，他们不是统治阶级想要看到的社会意义上的楷模。
男人的捷径是女人，100多年前，还 没女权主义的时代，法国的文学巨匠就告诉我们了，只要是关于人性的，那他就是永恒的（除非人类灭绝），
<红与黑>是个人奋斗的修正主义，他犯了左倾，<漂亮朋友><高老头>才是纯正的革命路线
莫泊桑揭示丑恶不像契诃夫那样夸张再夸张，而是平淡又平淡，这一点很像鲁迅，外表的冷峻下掩藏着岩浆样的热力，如同死火。
他像拿着一柄犀利的手术刀，不动声色，一下划开法国社会的腐肉，在你尚未意识到疼痛的时候，已将“灿若桃李”的脓疮内部展现在你眼前。其实那又岂止是当时的法国社会的腐朽。
如果中学的语文课本选用这本书 评论一定是反映了西方资本主义虚荣的堕落生活。
九年制义务教育的工作者们是否都是一群成天把各种主义各种腐朽各种压迫挂在口边的太监或者老处女
就算偶尔有红楼梦这般神作入选 评论也只是反封建反官僚主义 从小被这些主义包裹的我 也算人模人样地长大了 看到漂亮朋友的时候 我居然本能地就想到了反资本主义反腐朽反虚荣 还 好那并不是我发自内心的 只是中学无数阅读理解做下来残余的后遗症 反而 我对杜洛瓦居然有种隐约的认同感 隐约的 我也爱漂亮朋友这四个字给我的感觉 忽然觉得就这样开到茶糜也没什么不好
社交，一个令人头痛但是，大家又不得不面对的问题。 在这里这种能力得到升华。 同时，它也告诉我们还 要注意形象。