海子，当代青年诗人。1982年大学期间开始诗歌创作，下面是小编给大家整理的海子的生平简介英文版，供大家参阅!
"Set": "first love" "birth" "turtle king" "cock" "wooden boat" "South" "fire" "barn" "singer" and so on;
"The House", "the river", "the bride", "live in precious earth" "legend" "house" "May wheat" "as one" "village" "but water, water" "motherland" To the urn "(1983 - 1989);
"Sun, you are the father of a good daughter" "Sun" drama "Sun", "Sun", "Sun" Messiah "," land "," sun, heaven and singing "and so on;
Short poems: "spring, ten Hai Zi" "Night of poetry" "facing the sea, spring" and so on;
Chorus: "Messiah";
Sacrifice drama: "killing";
Part of his works are received nearly 20 kinds of poetry anthology, as well as all kinds of Chinese Department of Chinese "contemporary Chinese literature works" textbook.
Poetry style
Haizi with the spirit of the poetic spirit into the poetry, into the eternal. He directly became a symbol of this spirit. Haizi 's poetic spirit is romantic spirit. It requires a one-time action to highlight the original life of the kernel and essence. Haizi's poetry is this kind of action, it shows us a prospect of a favor, we began to look from the reality of the moment, overlooking the distance. The great background of the sky and the sea is gradually behind us.
Haizi is a lyric poet. Haizi once said that lyric is blood. All his works are red, are soaked with blood, are produced after the fire baked. From the "Asian Cuisine" in 1984 to the "Spring and Ten Haizi" on March 14, 1989, it showed the love and deplore of the poet's life, the love for all the good things, the secular and the lofty Excitement and care.
Haizi's poetry world is very complicated. His poetic conception is a combination of ancient epic, modern lyricism, romantic poetry and modernist poetic ideas. From the mind, he is close to a "madman" type of prophet; from the cognitive way, he is a full of Divine experience the idealist of color. In the concept of poetics, he was deeply influenced by Nietzsche, Heidegger and others, and believed in the power of "the god of wine", and believed in the original great power of the earth. In the artistic conception, Holderlin that crazy temperament.
Haizi 's lyric writing is beautiful, full of the spirit of the spirit of the mysterious meaning, the words of things radiant with extraordinary spiritual light.
Haizi's poem is also filled with a desperate, persistent recognition of the feelings of death, but this despair does not seem decadent, but it is very magnificent, and his inner temperament and later fate is related to the " Spring, ten Hai Zi ", he wrote:
"Spring, ten Haizi all resurrection
In the bright scenery
Laughed at this brutal and sad hai
What are you so long to sleep for?
In the spring, brutal and sad sea
Leave the last one, the last one
This is a night of the child, immersed in the winter, hearted death
Can not extricate themselves, love the empty and cold country ... ... "
In the face of the natural nature of the sea in the spring when the arrival of the automatic bloom of vitality, the face of the masterpiece of nature, Haizi feel small, lost and silent, and felt the death of the coming. "Heart of death" is one of the ultimate philosophical understandings of Haizi for art and life, one of the reasons for his works to be divine and immortal.
The characteristics of long poems
The starting point of Hai Zi's poems is the element of life. He claims that his long poem is a call for some sort of great element. These lives are hidden in the depths of civilization. In philosophical language is the body and the entity. Haizi wrote in his notes that the poem "should face the entity directly." "The poem should be a strong breathing and a slight trembling." "The poet's task is only to use their own sensitivity and light of life will be black Almost the entity illuminates ". Haizi's entity and the image of the poet's "entity" is fundamentally different, the latter is only the concrete emphasis. Haizi entity is sleeping in our culture in the original life and spirit. On the day of creation, the entity moves up and becomes the subject. Poetry as the main action reflected in Dante, Michelangelo, Shakespeare, Goethe's creation. The relationship between them and the primitive power is the relationship between styling and epic.
The flow of primitive main forces created the most perfect and noble culture in the history of human civilization, creating epic, tragedies and architecture. Haizi's poem consciously bear the fate of this entity, the fate of the sun as a symbol. His poetic expression is not an individual's pursuit of this primitive ontology, not the reconstruction of the historical origins of culture, but itself as the main body of action, singing, burning. In such a body incineration of the world, the modern world of people and the world, the spirit and the tension of nature for the first time to get reconciled. Everything that died on the earth was resurrected. The sky and the river show a warm smile, as if to celebrate the return of human prodigal son.
The world in Haizi poem is undoubtedly an idealized world. It is the original life created by the human language of another world. It is stubbornly on the world. Its light shines on the absurd and darkness of this world. This creation is the spirit of romance.
Therefore, Haizi's romanticism is not subjective lyric, not self intoxicated, not even the mood, sensibility and spiritual expression and expression. Haizi clearly stated that "do not want to be a lyricist." This is not to evade the blame of modernists, but to show that his poems are very different from the usual lyric poems. The lyric factor in Hai Zi's poems is not the expression of self, but the singing of the entity. Haizi talked about a "love of the scenery," the lyric poet, they regard the universe as a temple. His beloved Van Gogh and Holderlin are a model of this class of poets.
Haizi's romantic spirit is not a simple return to the nineteenth-century romanticism, but not the development of the traditional Chinese Zen Zen, but from the elements of life and the main will, the modernism and postmodernism embodied in the form of civilization Liquidation and abandonment.
In the eyes of the modernists, the land is dead. Instead of the land is superficial, never meet the desire. This desire is not from the subject of the will, not from the full, but from the poor. The reason for the loss of land is the rational spirit of enlightenment. The axiom of the axiom of the altar of life. The original life degenerates into a form of civilization. Modernists can only cling to the form of the shell, desperately engraved poetry. Thus the composition of modernist poetry is the fragmentation of intellectual and the creation of blindness. Postmodernists clearly expressed the abandonment of the spirit of poetry and the creation of the subject, so the modernism to the last jump, but also exhausted their last possible. Excessive love for representation and rhetoric is a sign of a decline in civilization. Postmodernist poetry shows the helpless transcendence and indifference is such a decline mood. Haizi is not living in an isolated world, on the contrary, his poetry road is always surrounded by modernism. In such an environment to adhere to the spirit of poetry and the main will, adhere to the original life of the modern world against the anti, is a lonely and tragic heroic behavior.
1964 Lunar New Year on February 11 (Gregorian calendar on March 24) was born in Huaining County, Anhui Province, Gaohe Town, Chai Wan Village, grew up in the countryside;
1968 in the commune to participate in "Mao Zedong Quotations Recitation Competition", only four years old;
In 1969 in Chai Wan Village primary school;
High school in high school in 1974;
At the age of 15, he was admitted to Peking University Law Department.
1981 to meet Luo Yihe;
In 1982 the beginning of the creation of poetry;
In 1983 graduated from Peking University to China University of Political Science and Law School editorial department. In the same year,
1984 transferred to the China University of Political Science and Law Department of philosophy teaching aesthetics;
Published in 1985 to Hai Zi's pen name "Asian copper" a poem;
In 1986, traveled to Inner Mongolia, Qinghai, Tibet;
1988 again traveled to Qinghai, Tibet and other places;
March 26, 1989 in Hebei Shanhaiguan lying rail suicide.
Haizi (1964-1989), formerly known as Chahu Health, was born in Huaining County, Anhui Province, Gaohe Town, check the village, contemporary young poet. Haizi grew up in rural areas in 1979, when he was admitted to Peking University Law Department at the age of 15, he began to write poetry in 1982, and was assigned to the Department of Philosophy, Beijing University of Political Science and Law, after graduating from Peking University in 1983. On March 26, 1989, Near lying rail suicide, only 25 years old.
Haizi since 1983, after graduating from Peking University assigned to the China University of Political Science and Philosophy Department of philosophy work, in 1984 created as "Asian copper" and "Al sun", the first use of "Hai Zi" as a pseudonym. From 1982 to 1989, less than seven years, Haizi created nearly 2 million words of works, published the "land", "Haizi, Luo Yihe works", "Hai Zi's poem" and "Hai Zi poems" Wait.
In the life of the poet, from the 1984 "Asian copper" to March 14, 1989 the last poem "spring, ten Hai Zi", Haizi created nearly 2 million words of poetry, poetry, novels, essays and notes The More famous are "Asian copper", "wheat", "dream for the horse", "the night of poetry - dedicated to the night daughter" and so on.